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Kevin Fedarko

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Kevin Fedarko lives in northern New Mexico and works as a part-time river guide in Grand Canyon National Park. In addition to his travel narratives in Outside, where he worked as a senior editor, Fedarko’s work has appeared in Esquire, National Geographic AdveMoreKevin Fedarko lives in northern New Mexico and works as a part-time river guide in Grand Canyon National Park. In addition to his travel narratives in Outside, where he worked as a senior editor, Fedarko’s work has appeared in Esquire, National Geographic Adventure, and other publications, and has been anthologized in The Best American Travel Writing in 2004 and 2006. Fedarko was a staff writer at Time magazine from 1991 to 1997, where his work helped garner an Overseas Press Club Award for a story on the assassination of Yitzhak Rabin. Fedarko earned a Masters of Philosophy in Russian history at Oxford in 1990. His 2013 release, The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon, won a NOBA- a National Outdoor Book Award. Less

Kevin Fedarko’s Books

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Author Details

Genre
Adventure Travel, Outdoor
Member Since
June 2014

Quotes

if there is a point to being in the canyon, it is not to rush but to linger, suspended in a blue-and-amber haze of in-between-ness, for as long as one possibly can. To float, to drift, savoring the pulse of the river on its odyssey through the canyon, and above all, to postpone the unwelcome and distinctly unpleasant moment when one is forced to reemerge and reenter the world beyond the rim-that is the paramount goal.
But they have preserved an aspect of the American persona that is uniquely vital to the health of this republic. Among many other things, those dirtbag river runners uphold the virtue of disobedience: the principle that in a free society, defiance for its own sake sometimes carries value and meaning, if only because power in all of its forms—commercial, governmental, and moral—should not always and without question be handed what it demands.
The English novelist J. B. Priestley once said that if he were an American, he would make the final test of whatever men chose to do in art, business, or politics a comparison with the Grand Canyon. He believed that whatever was false and ephemeral would be exposed for what it was when set against that mass of geology and light. Priestley was British, but he had placed his finger on an abiding American truth: the notion that the canyon stands as one of our most important touchstones—a kind of roofless tabernacle whose significance is both natural and national. It is our cathedral in the desert, and the word our is key because although the canyon belongs to the entire world, we, as Americans, belong particularly to it.